An ancient city of Campania destroyed by the volcanic eruption of Mt. Vesuvius in A.D. 79, Pompeii was named as a UNESCO World Heritage Site in 1997.
- exedrae (site elements)]
- peristyles (Roman courtyards)
- triclinia (rooms)
House of the Citharist (also known as the Casa Del Citarista, House of L. Popidius Secundus Agustianus, and L. Popidus Ampliatus), a domestic property with peristyle gardens.
A. Excavation took place at this large house intermittently form 1853 to 1869. There were three large parallel, adjacent gardens. A portico, supported by seventeen stuccoed columns made of brick and Sarno limestone, enclosed the center garden. The columns were red, fluted at the top and plain at the bottom. A gutter went around the perimeter of the garden. A semicircular basin was located at the west end of the garden around which six spectacular bronze animals were discovered in 1861. The bronzes were as follows: a boar with a fountain spouting from its mouth (0.56m high; Mus. Naz. inv. no. 4900); two dogs (0.51 and 0.25m. high; for boar and dogs); a leaping stag with no trace of fountain fittings (0.61m high; Mus. Naz. inv. no. 4902; Reusch no. 823); a lion with an open mouth, possibly for a fountain, which originally stood on his hind legs (0.39m high; Mus. Naz. inv. no. 4897; Reusch no. 820); a serpent with a spout in its mouth (0.51m high; Mus. Naz. inv. no. 4898; Reusch no. 822). The Museo Nazionale was said to have preserve the original placements of the statues. After careful study of this Dwyer concluded that the boar would have stood on the projecting spur of the fountain basin with the dogs attacking his from either side of the rim. The leaping lion would have been next to them and the serpent to their right. The stag would have stood on the rim of the basin at the extreme left. The entire group could have been seen from the large room opening off the west portico, which was lacking one column to facilitate the view (Eschebach incorrectly included this column on his plan). Two double herms, each representing Bacchus and Ariadne, were found at the edge of the basin. Dwyer was not able to locate these. There eleven marble oscilla, six circular ones (tondi) (Mus. Naz. inv. nos. 6551, 6642, 6646, 6652, formerly 6667 but now at Pompeii, inv. no. 20486, one with inv. no. unknown). Five had the shape of a pelta (Mus. Naz. inv. no. 6660, 6661, 6664, 6665, formerly 6658 but now at Pompeii, inv. no. 20489). These white marble oscillae each had an iron hook at the top, but no rod, which indicates that were suspended from the architrave between the columns by a cord. Dwyer suggests that the peltae were probably alternated with the round shields. One oscillum had a maenad on one side; the rest had a faun or satyr on each side. A large rectangular pool (3.50m wide x 10.80m long; 1.40m deep) was excavated in February 1926 by Maruri. Two high steps (0.45m and 0.40m) descended into the pool on the west side. A much smaller semicircular pool had been built around these steps and into the larger pool which had been filled with rubble. This was probably built after the earthquake when the entrance on the Via dell’Abbondanza was joined to the house. The cistern opening in the southwest corner of the garden had a lave puteal, but the one in the east portico had no puteal. To the northeast of garden there was a large room which contained garden representations painted on the black predella under both of the side panels on the south wall. These were recorded by Spinazzola in drawings.
B. The center peristyle was separated from the south peristyle by a long wall that had six windows and two doors. These offered a grand view into the southern peristyle. In an earlier period this peristyle must have been considered the most important component for each of the six windows corresponded to an intercolumniation in the southern peristyle. The twenty portico columns were fluted above, plain below, and faced with stucco over brick and Sarno limestone. The northeast corner had a portico with a marble puteal. This garden was bounded by a gutter and in this peristyle there was a white marble altar (0.255m high; Mus. Naz. inv. no. 110 022). The middle peristyle was supposedly where the famous bronze statue of Apollo playing a cithara (1.58m high with base; Mus. Naz. inv. no. 5630; Reusch no. 831) was found on November 8, 1853. It probably came from the southeast corner of the southern peristyle for the middle peristyle was not excavated until five years after the Apollo was found. Niccolini was the first to mistakenly report the location where the bronze was discovered. Maiuri thought that the Apollo may have been adapted as a lychnophoros. Several smaller rooms looked out over the garden as well as a large oecus on the east.
C. The north peristyle garden belonged originally to a house whose entrance was on the Via dell’Abbondanza. It was accessed by a flight of steps from the central peristyle which lies about two meters below. A portico surrounded this garden on the south, east, and most of the north sides. Between the two middle columns on the east side there was a travertine puteal. A large exedra proceeded by a vestibule offered a view of the garden from the west, as did the triclinium from the east. The columns were made of brick and Sarno sandstone and faced with stucco, just like the ones in the central peristyle. They were unfluted except the ones opposite the entrances to the large exedra, the triclinium, and the atrium to the north. A gutter surrounded the garden.
- Breton, E. 1855. Plan of Pompeii, pp. 481, 489-490, 492
- Brun, R. 1863. BdI, p. 91-93
- Döhl, H. 1976. Plastik aus Pompeji, Habilitationsschrift, Göttingen, p. 2-3
- Dwyer, E.J. 1981. Pompeian Domestic Sculpture. A Study of Five Pompeians Houses and their Contents, pp. 79-81, 82-84, 88-89, 107-108
- Dwyer, E.J. 1982. Pompeian Oscilla Collections, pp. 261-264, nos. 1-11
- Elia. 1937. Mon. Pitt. Ant, In Pompeii 1, sec. 3, p. 4, fig. 3
- Fiorelli, G. 1860. Giornale degli scavi di Pompei, pp. 66-67, 387-388, 392-394, 397, 399-400 and plate 165, no. 182-183
- Fiorelli, G. 1863. Giornale dei Soprastanti, pp. 658-688 (see also Fiorelli, G. 1859)
- Fiorelli, G. 1875. Descrizione di Pompei, p. 62 (worldcat)
- Jashemski, W.F. 1979. Garden of Pompeii: Herculaneum and the villas destroyed by Vesuvius, pp. 21-22 and figs. 28-29 (worldcat)
- Jashemski, W.F. 1993. Gardens of Pompeii: Herculaneum and the villas destroyed by Vesuvius. Vol. II, Appendices, p. 29-30, 32-33, 394 (worldcat)
- Kapossy, B. 1969. Brunnenfiguren der hellenistischen und romischen Zeit, Zurich, p. 48, 51-52 (worldcat)
- Lugebil, K. J. 1861. BdI, p. 240
- Maiuri, A. 1926. BdA, p. 350
- Maiuri, A. 1939. NSc, pp. 575-576
- Mau, A. 1907. Pompeii: It’s life and art, pp. 359-361 and fig. 179 on p. 360
- Minervini. 1853. Bull.Arch.Nap., 2, p. 65
- Niccolini, F. Le case ed i monumenti di Pompeii, Naples, Vol. II, p. 79
- Niccolini, F. Le case ed i monumenti di Pompeii, Naples, Vol. III, p. 8 and plate 5
- Overbeck, J. and Mau, A. 1884. Pompeji in seinen Gebäuden, pp. 363-366, 544-545
- PPP, 1, p. 10
- PAH, 1853. 2, pp. 583, 586-587
- PAH, 1858. pp. 671-673
- PAH, 1859. 2, pp. 685-688
- PAH, 1868. pp. 670
- Pernice, E. and Winter, F. 1925, Gefässe und Geräthe aus BronzeDie Hellenistische Kunst in Pompeii, 5, pp. 14, 30 and plates 8.2, 19.4
- Schefold, K. and Dräyer, W. 1956. Pompeji, p. 15
- Vittorio Spinazzola, 1910-1923, Pompei alla luce degli Scavi Nuovi di Via dell’Abbondanza, figs. 646-647 on p. 654, no. 336
- Van Buren, A.W. 1932. MAAR 10, plates 1-2
- Ward-Perkins, J. and Claridge, A. 1976. Pompeii A.D. 79, no. 83
Excavated 1853-1861, 1868, 1872 and 1929.
Wilhelmina Jashemski (https://lib.guides.umd.edu/c.php?g=326514&p=2193250)
21 Apr 2021