DRAFT

The Gardens of Sperlonga. The peristyle garden

Location

Italia

Sublocation

Sperlonga

Sublocation Description

Sperlonga is a maritime villa built at the end of the Roman Republic. It probably belonged to some very rich piscinarius, one of those extremely wealthy Roman patricians who took delight in creating their own fish ponds. The purpose might have been to always find fresh fish at their disposal, or, at least, so they said. Actually those Tritones piscinarum, as Cicero called them (CIC. Att. 2.1.6; 2.9.1), considered their piscinae more a status symbol than an industrial operation, and cherished their fishes more as pets than as tasty tidbits (VARR. r. r. 3.17.3). Sperlonga, with its lavish decoration and its luxurious setting, was built by one of these tycoons. Built, yes, but by whom? When, in the middle of the last century, this villa was discovered, some scholars decided that it must have been Tiberius. Actually the only connection we could establish between the ancient emperor and this place is the fact that he nearly died while dining in the villa's colossal nymphaeum. At this time he was traveling from Capri to Rome and stopped at Sperlonga to rest. We read that he was there, on a small island set at the center of the fishpond, laying with his friends on mattresses placed around an elegant water triclinium (Fig. 91, A) set on a small island at the center of the fishpond. They were drinking, chatting and enjoying the splendid view of the statuary groups displayed in the nymphaeum when the entrance of the grotto crashed down in a historical landslide reported by both Suetonius (Tib. 39) and Tacitus (ann. 4.59) (Fig. 92). I can't imagine how this unfortunate dinner could place Tiberius as the owner and the creator of the spectacular grotto. However this is what some scholars assert and they still believe it. I can't agree. For one thing we know that Tiberius disapproved of luxury. In Tacitus (TACITUS) we find the transcription of some of his speeches to the senate and we notice how harshly he attacked all the people who built luxurious villas and bought expensive statues to put in them. How could Tiberius censor his fellows countrymen for purchasing some marble copies of goddesses and heroes, while he himself was importing from Greece those monumental Hellenistic groups, and setting them in the seaside grotto of a more than sumptuous maritime residence? It was not logical, and for this reason we feel quite certain that Tiberius had no part in creating the Sperlongan art display. However, are we sure that the villa didn't belong to the imperial praedia? No, we can't even deny this: Sperlonga could have entered Augustus' estate through a legacy. As a matter of fact we know that, on their death, many rich men used to leave their property to the emperor. Some of these tycoons and also some relatives of the Julio-Claudian family could easily have done this. We can't even forget that - as reported by Cicero (CIC. I cent. B.C.) - Philip, Augustus' stepfather, was one of the most important and rich piscinarii of the I cent B.C. Apart from this we can't say anything more.

Garden

The villa has three gardens: one peristyle garden, one cryptoporticus and the terrace on the sea, one nymphaeum.

Keywords

Garden Description

These parts of the villa have been relatively spared and they are among the best features of this maritime residence (SALZA PRINA RICOTTI 2002). As a matter of fact, also when the peristyle garden was flourishing, it could never have been as impressive as this imposing cryptoporticus and its underlying terrace (Fig. 93, B), beautiful places to stroll and admire the glorious sunset. The combination of a cryptoporticus and a terrace to create a new kind of garden, was already present in Roman architecture. We can see it depicted in the Pompeian frescoes and we find it in other seaside villas. For instance this kind of open-air arrangement was extensively described in a letter in which Pliny the Younger pointed out the highlights of his cherished Laurentine villa to one of his friend (PLIN. epist. 2.17). In Sperlonga as in Pliny's terrace, a narrow border of flowering plants was set against a low masonry wall, a parapet which was necessary to protect the vegetation from the salty sea breezes (Fig. 94). Today, the fact that bunches of blossoms existed there is confirmed by the presence of a watering system which started from some spring set high on the overhanging hill. We can follow the trace of a groove cut in the rock coming down to the fishpond's northeastern bank. From the piscina side, through a canal (Figs. 91, S; 96), the water was led up to the low parapet of the terrace (Fig. 97), and here, turning at a right angle, it ran all along it. At regular intervals, a series of drain wells helped to draw the water and irrigate the plants. Their presence confirm that a flowerbed existed there and that it was set against the wall.

Plans

Sperlonga's Villa has board view,the peristyle garden was rounded by building, the south part had the Cryptoporch, the terrance and canal and so on .
the plan of Sperlonga's Villa.

Images

Plan. the general garden plan of Sperlonga.
the general garden plan of Sperlonga.
The landslide.
Image Cryptoporch and terrace.
Cryptoporch and terrace.
Terrace's parapet.

Dates

Unspecified

Bibliography

-B. ANDREAE, A. CONTICELLO, H. SCHROTELER, D. WUNDERLICH, Abformung der Polyphemgruppe von Sperlonga, in GfK nach einem neuen Verfahren, Der Präparaator 16, 1-2 (1970), pp. 1-000 worldcat

-F. COARELLI, Sperlonga e Tiberio, DArch 7 (1973), pp. 97-122 worldcat

-A. CONTICELLO, B. ANDREAE, Die Skulpturen von Sperlonga, Antike Plastik 14, Berlin 1974, pp. 000-000 worldcat

-G. JACOPI, L'antro di Tiberio a Sperlonga (Istituto di Studi Romani), Roma 1963 worldcat

-SALZA PRINA RICOTTI, Il gruppo di Polifemo a Sperlonga - Problemi di sistemazione, RendPontAcc 42 (1968-1970), pp. 118-134, tavv. 1-3, figg. 5-9 [worldcat]https://search.worldcat.org/title/849270161

-SALZA PRINA RICOTTI, The Importance of Water in Roman Garden Triclinia,in Ancient Roman Villa Gardens (Dumbarton Oaks Research Library and Collection), Dumbarton Oaks 1987, pp. 137-184 [worldcat]https://search.worldcat.org/title/715121487

-SALZA PRINA RICOTTI, Sistemazione paesaggistica del fronte a mare e giardini nelle ville marittime di epoca romana, in Giornate di studio in occasione del 250º anniversario degli Scavi di Stabia (in print), pp. 137-169. worldcat

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